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Widespread Panic exemplifies the ultimate independent musical success story. Further information about the VSFX Optical Effect System, including details of the wide range of effect discs available, can be found online at further information about VSFX3 can be found there or at the City Theatrical website, DiGiCo's Flagship SD7 Console Brings Pervasive Sonic Cool to Widespread Panic City Theatrical will also be distributing VSFX3 in the US, while it will be available for hire or sale in the UK from White Light. VSFX3 is manufactured for White Light by City Theatrical in New York, bringing all of their experience in manufacturing rugged, reliable theatrical effects to the product. VSFX3 remains compatible with all existing effects discs, projectors, lenses and accessories unlike so many other modern lighting effects, it also remains completely silent in operation. VSFX3 further updates the VSFX drive unit, retaining all of the strengths for which VSFX is renowned while adding on-board DMX control, a new digital stepper motor technology which ensures consistent and repeatable movement speeds across multiple projectors, and an improved drive system that reduces the chance of the effect disc slipping while also offering slower minimum speeds than was possible with earlier units. During that period the range of possible effects and applications for VSFX have also been increased, with DMX control, new projector options (including the new Robert Juliat projector, and ETC's Source Par MCM), new lens options (including the Source Four lens range via an adaptor plate), new cloud disks from DHA Lighting and more. In its eighteen years, VSFX has seen service on an enormous range of shows, creating moving effects of unsurpassed smoothness and subtlety.

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Created by White Light in 1990, the first VSFX90 represented a dramatic update of the long-serving moving photographic image glass disc effect range from Strand Lighting, replacing the manually set speed and direction via push wheel with remote control of speed and direction from the lighting console, yet retaining compatibility with any Strand glass effect disk, projector, lens or accessory. Now White Light is delighted to mark the eighteenth birthday of the VSFX system with the launch of VSFX3, which made its debut last month at the LDI Show in Las Vegas.

VSFX has been used on shows around the world, including all of the worldwide productions of the smash hit musical Dirty Dancing. Thus, every market gets a brand new show each year.Įven in this age of video projectors, media servers and digital lighting, the VSFX Optical Effect System from White Light has continued to be the system of choice for theatrical lighting designers looking to create smooth, subtle moving effects for the stage - whether that be moving clouds, water, fire, smoke or more. Each of the shows tour a two-year schedule that is done in the fashion of first-year markets followed by second-year markets, followed by a two-year wrap at the Winter Quarters in Florida where the show is redesigned and rehearsed for its future debut. Three independent touring units, Red, Blue and Gold, host millions of visitors and travels to more than 90 cities in North America each year. The contemporary circus of 2008 (under the direction of Feld Entertainment since 1967) has retained many of the traditional elements that have made it a family favorite for over 138 years-unusual animal performances, captivating clown escapades and daring high-wire acts-while adding a modern twist replete with contemporary music and progressive choreography. and Barnum & Bailey Circus has evolved into more than merely a three-ring circus. Touring Unitsįrom its humble beginnings in 1871, The Ringling Bros. The Greatest Show On Earth Goes Digital With Digico for all its Audio Needs in Multiple U.S. Gyroscope and Living End engineer also inserted his favourite analogue outboard which included a Midas XL42 pre-amp. Patched into the PRO6 to provide some comfort to engineers was a DN360 equaliser across FOH with a well-known tap delay also patched though all engineers did use the consoles internal effects as well. To facilitate the first gig in Australia for a PRO6 local product manager Phill Webb was on hand to set the console up and provide support to the respective band engineers who all had their first experience of Midas digital. This system was at FOH on the mainstage which featured a line up of well known Aussie bands ‘The Panics', ‘Gyroscope', ‘Cut Copy' and ‘The Living End'. The week prior to its Australian launch a PRO6 system was shown off at ‘Trackside' festival in Canberra by leading ACT production company ‘Eclipse Lighting and Sound'. November saw the Australian release of the new Midas digital mixing system. Eclipse features Midas PRO6 at Trackside Festival

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